Mastering Composition: The Definitive Guide for Photographers

February 27, 2020 - Comment

Going beyond the rule of thirds, this offers invaluable tips and tools to help the photographer take control of the creative process with emphasis on four elements: an impactful subject, dynamic composition, effective use of lighting, and an ability to invoke an emotional response in the viewerWhat makes a great photo? Flicking through the pages of

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(as of April 19, 2020 1:21 pm GMT+0000 - Details)

Going beyond the rule of thirds, this offers invaluable tips and tools to help the photographer take control of the creative process with emphasis on four elements: an impactful subject, dynamic composition, effective use of lighting, and an ability to invoke an emotional response in the viewer

What makes a great photo? Flicking through the pages of popular photography magazines you might get the impression that there’s only one rule of importance—the rule of thirds. Indeed it appears that some will judge the merit of a photograph based almost solely on this. Rarely do you hear discussion about visual weight, balance, negative space, depth, and so on. Author and professional photographer Richard Garvey-Williams argues that success lies in a combination of four elements: an impactful subject; dynamic composition; effective use of lighting; and, perhaps the most crucial, ability to invoke an emotional response in the viewer. Citing examples gleaned from a study of history—the Ancient Greeks’ Golden Rule; Fibonacci’s mathematical ratio; and the principles known as the Gestalt theory—the author analyzes the concepts, rules, and guidelines that define successful composition in photography and offers practical guidance to achieving great results. In clear, concise, and jargon-free text he also considers the role of tone and color in good composition, and offers invaluable tips and the tools to help the photographer take control of the creative process. The book is illustrated with examples of the author’s own beautiful nature photography, along with diagrams and notation to explain techniques most clearly. A final chapter in this definitive guide for all serious photographers discusses photography and its relationship to art before offering a considered conclusion to the exploration of this fascinating topic.

Comments

Anonymous says:

… friends who do it for a living that the best thing I could do to improve my skills on … I’m new to photography and was told by a number of friends who do it for a living that the best thing I could do to improve my skills on a budget was read as much about the subject as possible. This is probably the 8-9th photography book I’ve read since December 2015. It’s very in depth and informative. The example pictures are wonderful and help drive the talking points home.Some of it is honestly a little over my head but that’s not anything against the author. It’s just something…

Anonymous says:

… is an extremely well written book and I thoroughly enjoyed it. I’m an intermediate photographer that loves to … First of all this is an extremely well written book and I thoroughly enjoyed it. I’m an intermediate photographer that loves to travel for outdoor photography. I would often study many photos of the same scene that I have taken that are just slightly different. But however how close they appear to be at first glance one will usually stand out as more pleasing but I never knew why necessarily. This book explains really well, with nice pictorial examples, the why. This book now helps me look…

Anonymous says:

Technical side of photography I’ve never taken an art or photography art class but I would guess this could be a textbook. It covers a lot of the principles dealing with art in general as well as photography. It was rather affirming that a number of principles came naturally, but others were good things to think about and apply in the right situations. It’s not so dogmatic as to say you have to do exactly as the book says. While technical, I felt like it also encourages exploration and personal style. As time goes on, I…

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